A review of the movie othello
The title of the play, Othello: The Moor of Venice, reminds audiences that Othello has two distinct identities: a heroic figure, but also a foreigner. Brannagh is the man who knows when it comes to the Bard, and being a slightly different part to play for him and he wasn't directing it it seemed very interesting.
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Here is an Othello who passionately kisses his Desdemona Irene Jacob at the start of the story, in full view of the Venetians who resent and envy his triumphs. An even larger risk came when Othello delivers a line that shatters the wall. Fishburne's performance has a dangerous edge that ultimately works to its advantage, and he smolders movingly through the most anguished parts of the role. Such a reaction might be a mistake, however, since this director's view of Othello's tragedy has an unusual slant. Parker manages to capture the passion and love between Othello and Desdemona and even plays it up, making the betrayal and tragedy more powerful. But Mr. Miss Jacob, the beautiful Swiss-born star of Krzysztof Kieslowski's "Double Life of Veronique" and "Red," would seem to be the film's most out-of-place performer, since she struggles so noticeably with the English her role requires. Even worse are scenes where characters talk unheard under the music on the soundtrack; no composer - no, not even Charlie Mole - can improve on Shakespeare. Anna Patrick is particularly transfixing in the role of Emilia, Iago's wife and Desdemona's servant, who scathingly articulates some of the play's feminist undercurrents. In large part, he has accomplished this. Othello's "tragic flaw" is his jealousy, and it's this quality that Iago exploits with his complex scheme. Though he may not read the lines as well as his predecessors, Fishburne's visual presence on the screen is stunning. The uphill battle of selling "Othello" as a Christmas movie should be further helped by the well-preserved relevance of this play's themes. Othello is dark, and makes creative use of light and shadow as only a motion picture can.
Running time: minutes. To blame Desdemona's death on Iago is to turn Othello into a pawn, and that violates the purpose of tragedy, which is to show a hero brought down by his own flaws.
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Fishburne himself actually gives in a good if somewhat restrained performance and Irene Jacob as Desdemona is convincing, but it is the boy from Belfast, Brannagh, who steals the show. The bottom line for me, would be if you enjoy Shakespeare and Othello isn't on at your local Theatre - rent the video, or go to the cinema to see this version - you won't be disappointed. Exactly as Parker intended, his Othello is heightened so that he is at least cinematically equal to Branagh's Iago. Parker has assembled his international cast with an eye to star power, and with no great concern for consistency. Branagh is a master of Shakespeare, having previously directed 'Henry V' and 'Much ado about Nothing'. Othello brags about the stories he has been a part of and the journeys he has endured over the years. Branagh's deceptively regular Joe. The title of the play, Othello: The Moor of Venice, reminds audiences that Othello has two distinct identities: a heroic figure, but also a foreigner. Sign in to vote. To keep Othello at a reasonable two hours, Oliver Parker has only used around half of Shakespeare's original text in the screenplay. Such a reaction might be a mistake, however, since this director's view of Othello's tragedy has an unusual slant. Othello is dark, and makes creative use of light and shadow as only a motion picture can. Just another reason this adaptation is successful. This film is rated R.
Laurence Fishburn, a black actor playing the black title role in some of his various other film incarnations, Othello has been essayed by the likes of Orson Welles, Lawrence Olivier, and Anthony Hopkins - none of whom are blackgives a stirring and powerful interpretation of a man haunted by uncertainty about his wife's faithfulness.
It still gives a full sense of time and events by using some dialogue as voice-overs between scenes and montage sequences to explain what is not shown on screen.
The staging of some of the play's final scenes could have been improved upon, as could the final sight of a burial at sea.
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Parker makes sure that the most volatile aspects of "Othello" come to the fore. Parker has placed this here to convey the underlying theme of adultery and innocence being lost. Yet, the movie still runs smoothly and remains faithful to the play's central themes and conflicts. But it has also been given a blunt vitality, one that makes this look like the timeliest of Shakespeare's tragedies. Miss Jacob, the beautiful Swiss-born star of Krzysztof Kieslowski's "Double Life of Veronique" and "Red," would seem to be the film's most out-of-place performer, since she struggles so noticeably with the English her role requires. It's an entirely different experience to read the play or see a live performance than it is to view a cinematic rendition. Many people seeing this film will read it as the story of a jealous black man who wins but cannot trust his white wife, and so kills her. Throughout the entire play, Iago makes constant sexual references in regards to Desdemona. Such a reaction might be a mistake, however, since this director's view of Othello's tragedy has an unusual slant. Read the play. Running time: minutes. They are at risk in any modern production, where the fact that Othello is black and Desdemona white is likely to cast a longer shadow than it did in Shakespeare's time. Each of these characters are heavily flawed but the story stays loyal to them until the end. He has toured in Shakespeare and is a master of the cadence of the words, so his ease in the dialogue acts as a contrast to the others. Tweet The force of evil in "Othello" has its origin, "like the origin of everything else in the tragedy, in the character of its hero," Mark Van Doren wrote.
Branagh's superb performance, as the man whose Machiavellian scheming guides the story of Othello's downfall, guarantees this film an immediacy that any audience will understand.
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